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Posts Tagged ‘Folk’

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Yesterday I delivered a wisdom of owls and a few others to be included in the offerings of Jerry Points’ gallery Eye on Art in the Carmel Arts and Design District.  I am thrilled to have my work associated with this gallery and collection.

Eye on Art

111 W Main St #150

Carmel, Indiana 46032

(317) 752-1722

 

 

 

 

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I’m carving birds again! Stop by and visit with me and see my new work on Small Business Saturday from 11:00 am until 2:00 pm at Homespun’s new location at 869 Mass Ave. I will be carving — a new style murder of crows and larger owls. In addition to birds I’ll have boats, whales, a polar bear, ukuleles and leatherwork. Stop by and see the new shop space and visit. (Homespun will be open as a preview shop — moving here after the holidays.) Congratulations to Amanda and Neal on this move to cool larger digs!

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I woke up this morning to find that my boat models had been featured on the WoodenBoat Magazine’s Facebook page.  This magazine has been my obsession since my dad picked up a copy of Issue #2 during a stop at L.L. Bean. (Back when it was still over the factory.)

I’ve uploaded more images here.  The steamer is a work in progress.

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These are available to purchase. Simply click the Etsy banner to the right. You can get a 25% discount with the coupon code SHOPHANDMADE.

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You are reading an installment of a Field Guide to (50 Little) Birds. Everything that goes into a bird or whale is intentional and deliberate. This guide is intended to allow folks to understand my work at a deeper and more meaningful level.

The guide is decided into four sections.

The Back Story will explore inspirations, motivation and philosophy.

Before I Begin will contain discussion on research and design.

The Stuff They’re Made Of will look into the materials I use and how they are chosen and procured.

A Distressing End will look at my finish techniques.

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This entry was prematurely published. Check back later for completed work.

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Sperm Whale Photos

Photos of 12″ Sperm Whale. I’ve another on the bench as well as a similar but much larger (24″) one.

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I have the same dream that many artists have–to quite the day job and spend my time making stuff people want to buy.

There is no question that there are enough people out there to consume any product. If Chia Pets or the work of Thomas Kincaid can make it so can 50 Little Birds. I’ve never questioned this. The problem is getting the word out to the right people at the right time in the right way.

A couple of years ago I discovered Alyson Stanfield. Alyson, among her many talents, consults artists in order to enable them to reach their markets effectively. I’ve wanted to take her online classes, but never seem to have an extra $100 when here classes are listed.

So I did the next best thing and bought the books.

First I bought The Relatively Pain Free Artists Statement. This book outlines three weeks of writing activities that will lead me to writing a powerful, concise and effective artists’ statement. Most artisist have to write a statement, from time to time, and it’s hard to do well. Most of the time something is dashed off and the job is done–often poorly.

The second book I’d Rather be in the Studio is a practical approach–consisting of a lot of reflection and writing — to beefing up communications and PR and sales so that enough work is generated to allow an artist to spend time in the studio creating.

Both books are excellent. Like any self-help book my success lies in my own self-discipline and willingness to really do the work.

Today, in her blog, Alyson suggested something that I already saw emerging from completing the activities in her books. It seemed obvious– after all I’ve spent nearly every day for thirty years in a classroom. I need to teach people how to look at and how to appreciate my art.

Last night I had a conversation with two art loving friends (an activity I had to complete for the Relatively Pain-Free Artists Statement) and this need was apparent. These ladies both have my work in their collections, but as we talked and they learned more about why I do things the way that I do they were clearly developing a clearer appreciation for what I do to create a piece.

Every procedure, every color choice, every material and every found object is deliberate. There is thought, design, method and madness in everything that goes into my work. Over the next week, or two, I will visit some of these aspects of 50 Little Birds and the madness behind them. It is my hope, that with a few field marks in mind you will be able to examine my work a different way.

Stay tuned.

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